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Un posible jardín by Javier Peláez
at Casa siza Similar to the Kleingärten in Berlin, which were built with the aim of having a refuge separate from the home to rest from the daily routine, the exhibition Un posible jardín [A Possible Garden] has been designed by Javier Peláez with the purpose of having an additional place to his studio in which he has, in his words, “the opportunity to assume [another] part of my nature”, and even more, a physical and mental place where the choice to paint flowers expresses “a shameless position in the face of my interest in the threatening beauty of poisonous flowers, which have at the same time the potential to heal and to make sick”. -
Pueblo de pesca by Sebastián Hidalgo
at Main Room. Curated by Christian Barragán The exhibition is made up of a new set of oil paintings and drawings on paper in small and medium formats that are accompanied by a mural painting and a chromatic intervention in the exhibition space that delves into a pictorial language that hybridizes the representational and the non-objective. -
Seguir el paso al caminar de las cosas by Adrián White
at Project Room, curated by Christian Barragán Saenger Galería is pleased to collaborate for the first time with Adrián White, who has designed the project Seguir el paso al caminar de las cosas (Follow the Step of Things Walking), with which he intervenes the gallery's Project Room in an ephemeral and integral way. -
Tequila Sunrise by Cecilia Barreto
in collaboration with Colección Zarur, curated by Juvenal Urzúa Tequila Sunrise is a cocktail created almost 100 years ago by Gene Sulit, a black bartender at the Arizona Biltmore Hotel in the United States, for the satisfaction of a white tourist. The appearance its ingredients convey is of a vibrant and refreshing drink, with a red-to-orange fade horizon that looks like a sunrise. Digging into the origin of things, I find certain similarities with the ethical and aesthetic values in Barreto's work. What links does Cecilia invite us to draw for the questioning of privilege and the economic factors that affect social, ecological or cultural issues? Cecilia Barreto's work is a Trojan horse that comes to us sans disguise, a critical way of looking at data that, like daybreak, generates optimism. -
mujeres encinta: rewind. retrospectiva de una banda a la que nadie recuerda
a project by daniela franco at Galería Jesús Gallardo. Curated by Papús Von Saenger The retrospective "mujeres encinta: rewind" traveled to the Museo de Arte Contemporáneo in Querétaro in 2022, new pieces and archival material were gathered for this new venue. This third and final iteration of mujeres encinta: rewind is on view until January 5th, 2025 at the Galería Jesús Gallardo in its more complete format to date: featuring all assembled works, archival material, and new pieces produced specifically for this occasion.