-
Pedro Friedeberg — simetrías y puntos de fuga — 70 años de creación
at Main Room & Project Room. Curated by Michel Blancsubé.To describe Friedeberg as prolific is an understatement: his graphics multiply like those fish in another story. His work is the unbridled expression of the excesses of a totally uninhibited free spirit who ravenously, pleasurably and exultantly embraces everything that comes into his head, and does so with erudition, application, determination—and talent.
-
En octubre brota el amarillo at Casa Limantour
Curated by Eduardo Luque & Christian Barragán As part of Mexico City's Art Week 2025, Saenger Gallery presents the group exhibition on landscape, En octubre brota el amarillo [In October, Yellow Blossoms], the first contemporary art project hosted by Casa Limantour, curated by Eduardo Luque with assistance from Christian Barragán. With this new exhibition, Saenger Gallery reaffirms its program of showcasing works in architecturally significant spaces of historical and cultural relevance. This time, twenty artists from Mexico, North America, Spain, Germany, and Japan have been gathered to create a temporal arc of over thirty years of artistic production, allowing for an exploration of the multiple singularities in approaches, processes, materialities, and questions employed by the invited artists, all centered around a classic theme in art history: landscape. -
Tied to the mast
at Casa Limantour, curated by Eduardo Luque Saenger Galería is pleased to present the latest exhibition by Los Angeles-based artist Mark Hagen, Tied to the Mast, at Casa Limantour in Mexico City, curated by Eduardo Luque. The exhibition features a new series of works that interrogate the boundaries between architecture, painting, and sculpture, while drawing inspiration from Mexican brutalist architecture, Yona Friedman’s vision of L’Architecture Mobile, and the myth of Odysseus. -
Inversión by Cristopher Cichocki
Curated by Michel Blancsubé Cichocki defines his work as renewed earth art and, like the artists who, in the late 1960s, found in nature the material and place on the scale of their ambitions, he apprehends the geological present of the planet in the universe, considering the past without limits of time or space. His works feature a reflexive play of back and forth between micro and macro provoking new perceptions through fractal inversions.