Current
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Obra Estampa. Los originales múltiples de Pedro Friedeberg by Pedro Freideberg
August 22 - September 28, 2025 This exhibition presents an in-depth survey of Pedro Friedeberg’s printmaking, composed primarily of etching, screen printing, and digital graphics. These prints have been conceived as original multiples—that is, works produced in limited editions and carefully supervised by the artist at every stage of their making—so that they may be contemplated in more than one place at a time. In this way, they have also been studied and documented in the catalogue raisonné published in 2018, Original Múltiple. Obra estampa de Pedro Friedeberg. Read more -
Body Snatchers by Benjamín Torres, curated by Janila Castañeda
August 22 - September 28, 2025 Memory is an archive under construction. Corrupting the linearity of history, Body Snatchers presents itself as an untimely conversation with the past and the future, understanding art as a message that remains to be infinitely intervened. Read more -
errare ab origine by Lutz Braun
August 22 - September 28, 2025 “Errare ab origine” is the first solo exhibition in Mexico by the German artist Lutz Braun (Schleswig, 1976). Translated from Latin as “to go astray from the origin”, but also “to go wrong from the start”, this debut show brings together some thirty paintings in various formats which combine realist and abstract elements to form scenes in which landscapes, animals and people co-exist in a way that is both familiar and intriguing. Read more -
Necesité Personas a project by Ángela Ferrari
September 4 - October 30, 2025 Saenger Galería presents in it's Project Room the exhibition "Neceisté Personas", which takes place from the premise that creation is not a solitary act, but a practice that requires others in order to find meaning. Argentine artist Ángela Ferrari (1990), who has been based in Mexico since 2018, proposes a project that challenges the isolation of the studio and the romanticized figure of the lone artist, instead placing shared making, emotional choices, and the frictions between diverse practices at the leading edge. Read more