Playlist by Rodolfo Díaz Cervantes: at Level 2
SAENGER GALERÍA is pleased to present Playlist, an exhibition by the artist Rodolfo Díaz Cervantes. This exhibition, made up of various non-isolated chapters, presents some abstract calligraphic exercises, installations and pictorial winks resulting from experiments with language, geometry (symmetry) and elements that allude to composition; as well as games of perception and the occupation —or transformation— of space as a canvas or planting ground, using the objects as ingredients of the montages that in the process reveal their inherent vitality beyond their materiality.
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Rodolfo Díaz Cervantes, When doves cry, 2022.
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Rodolfo Díaz Cervantes, Slow burn – Eveyone says hi – I would be your slave, 2022.
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Rodolfo Díaz Cervantes, Fire flies 05 Caligrafía flotante, 2022.
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Rodolfo Díaz Cervantes, Dream baby, dream, 2022.
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Rodolfo Díaz Cervantes, It 's alright ma', 2022.
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Rodolfo Díaz Cervantes, She brings the rain, 2022.
SAENGER GALRÍA is pleased to present Playlist, an exhibition by the artist Rodolfo Díaz Cervantes. This exhibition, made up of various non-isolated chapters, presents some abstract calligraphic exercises, installations and pictorial winks resulting from experiments with language, geometry (symmetry) and elements that allude to composition; as well as games of perception and the occupation —or transformation— of space as a canvas or planting ground, using the objects as ingredients of the montages that in the process reveal their inherent vitality beyond their materiality.
This exhibition takes up ideas that were in development during a period of absence by Díaz Cervantes, as well as recovers latent points of interest that derive from the everyday, materiality, the sensual, fear and the conjunction of irregular but connected elements between themselves. Thus, the body of work that the artist presents to us contemplates characters with abstract structures that can be read and understood at different narrative
levels, pieces that play with the way in which they can —but should not—be presented.
An elementary part of the exhibition contemplates dreamlike motifs that help to configure a playful reading and whose discursive lines are approached by the artist as an omniscient narrator, maintaining a flexible and free path that leads to a collection of stories in which images and objects work like extended text.