Intervalos by Javier Peláez
Past exhibition
Overview
Saenger Galería is pleased to present the first individual drawing exhibition by the artist Javier Peláez (Mexico City, 1976).
Composed of a short set of works done on paper in different formats, including a large-scale polyptych, Intervalos displays four recent series by the artist: Loop, Grecas, Broken Line and Dust in the Shadow.
Composed of a short set of works done on paper in different formats, including a large-scale polyptych, Intervalos displays four recent series by the artist: Loop, Grecas, Broken Line and Dust in the Shadow.
Installation Views
Press release
Saenger Galería is pleased to present the first individual drawing exhibition by the artist Javier Peláez (Mexico City, 1976).
Composed of a short set of works done on paper in different formats, including a large-scale polyptych, Intervalos displays four recent series by the artist: Loop, Grecas, Broken Line and Dust in the Shadow.
Since he developed the pictorial project Fake, Gold, partially presented by SAENGER Galería in the exhibition Work, Story, Pleasure during the last edition of the Art Week, Peláez has maintained in recent years a path parallel to his exercise in painting, and that effort materializes on this occasion with the present exhibition dedicated exclusively to his facet in drawing.
As an exact reflection of his pictorial practice, Intervalos takes us into a little-known area in Javier Peláez's career, thus marking a distance between one body of work and another; and in doing so, he reveals an unexpected rhythm and the same desire for polyphony that encompasses his interests in art.
Composed of a short set of works done on paper in different formats, including a large-scale polyptych, Intervalos displays four recent series by the artist: Loop, Grecas, Broken Line and Dust in the Shadow.
Since he developed the pictorial project Fake, Gold, partially presented by SAENGER Galería in the exhibition Work, Story, Pleasure during the last edition of the Art Week, Peláez has maintained in recent years a path parallel to his exercise in painting, and that effort materializes on this occasion with the present exhibition dedicated exclusively to his facet in drawing.
As an exact reflection of his pictorial practice, Intervalos takes us into a little-known area in Javier Peláez's career, thus marking a distance between one body of work and another; and in doing so, he reveals an unexpected rhythm and the same desire for polyphony that encompasses his interests in art.
Events
